Crackle Effect Mediums – putting them to the test

EffektCrocoDistressPVAAleene'sCrackle Accents
GoldenVallejoDecoArt2StepVecchi

I love a decent crackle effect, but it’s a notoriously difficult thing to get ‘right’ and nigh on impossible to get the same results every time. I noticed I have collected a number of different crackle effect mediums over time and thought it was time to do a side by side trial.

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Beaded Wire Coil Necklace

This is a beginner’s kit from Bojangle Beads in Loughborough, which is quite an Aladdin’s Cave if you happen to be in the area. I bought it at Christmas, but it’s been languishing unmade since then, and in a spurt of creativity yesterday I got it done 🙂

The kit contains all you need (apart from pliers) including plenty of beads, and the coil section is ready made. There are instructions included, though these need editing, don’t contain any illustrations, and aren’t all that intuitive for a first timer to follow.

And I’m having fun with my new camera trying out all the different ways to photograph products! Seems shiny things, as I’ve discovered before, can be quite tricky, but dialling down the auto-exposure has helped a lot 🙂

Letraset Neon Markers – review

I’ve just received a complimentary set of the new Letraset Neon Markers (6 set), on sale from 1st September 2012. According to the information sent with them, they are twin tip fluorescent markers offering water-based pigment ink which is lightfast and ‘perfect for adding vibrant highlights to art and design work’.

I decided to put them through their paces. Firstly – colour on white, and then because they are pigment inks, on black too, and across text:

  

Allowing for poor colour reproduction of fluorescents, the colours are what you’d expect to see on white – vibrant and in your face. The ‘spark red’ isn’t all that sparky, but I guess it joined in to make the six pack… On the black, there’s going to be a colour shift, and I put three layers of ink on each of the blocks to get enough pigment on to show up – all but the ‘Luminous Yellow’ have good coverage, and may well have a role to play on dark backgrounds. They clearly work well as regular highlighter pens.

Do they blend? I love to use Letraset ProMarkers as they blend so well together. The AquaMarkers also blend and merge nicely. So I put the new Neon markers to the test, and since they are water-based, I used them on a good quality watercolour paper:

 

Well, I’m not so impressed. Direct blending from the pen didn’t really happen – it rucked up the paper, and the colours tended to keep distinct from one another. Adding water caused the crossover to become blotchy and granulated. Washing out with a wet brush was slightly better, but the colours behaved differently, some moving readily, others less so.

I can’t see these markers making their way into my artwork – I don’t think they have the flexibility of use I enjoy from the ProMarkers or AquaMarkers, and I already have highlighter pens around the house that do the same job. I think Letraset have missed a trick here – the Neon Markers don’t seem to be either ProMarkers or AquaMarkers and that’s a pity.

 

Which watercolour effect?

I’ve been playing with various watercolour effects, out of curiosity more than any thing! Thought I’d share the results, just in case someone else might be interested… All of them feature a Stampendous stamp (Cling Poppy Scene #CRM234).

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Martha Stewart Craft Paints on Ceramic/Glass

I had an ‘interesting’ day yesterday at the fantastic Coleman’s Craft Warehouse Big Demo Day. I was billed to do a make and take with the Martha Stewart Craft Paints on Ceramics, but there was an unexpected influx of young children which resulted in me being asked to lead a children’s party next week! (I declined!)

That said, I’d done plenty of preparation for the make and take and here are pics of my samples. The plates are technique samplers and the text is written with a porcelain marker. All of the samples were baked, and are dishwasher safe – I actually tested this claim before I agreed to promote the paints, and I can absolutely say it does what it says it will do! The paints are more adherent than most acrylics I’ve used, and though water based, the box says not to mix with water – I presume this messes about with the resin technology that makes them multi-surface. You can thin the colour with the glaze product that is in the same range of products, which is how I managed to get the wood grain effect on one of the mugs using a brush. I would recommend applying the paint with a sponge onto non-porous surfaces and you can use a heat gun to make a layer workable, although it is not as stable as if left for an hour or so to dry between coats. The frosted glass effect paint is also applied with a sponge and is one of the most user-friendly frostings I’ve ever come across.

The paint itself is a creamy consistency, dabs on well and has good opacity. It comes in four varieties – a Satin Finish which seems more matte to me, a pearlescent – which is striking, a glitter – which is more of a coloured glitter translucent glaze, and a high gloss. The colour range available is comprehensive and there are various special effect bottles that I haven’t had the opportunity to play with.

I’m particularly impressed with the range of accompanying accessories, including the fine applicator tip that attaches to the bottle (see the high gloss black outlining) and the sponge dabber tips that do the same. Ms Stewart has also included an empty bottle in the pack which is for rinsing out the caps when done with clean water. Clean up is easy – as long as you do it while the paint is still damp. The paint by its nature sticks firmly and to any surface. I found that the stencils retained paint even after cleaning quickly after use, but any dried paint didn’t shift with subsequent applications.

To be honest, I’d probably use other acrylics for painting porous surfaces, but I’d certainly recommend these craft paints for any non-porous surface.