This is another of my end-of-first-year exhibition pieces, this time for the four week still life module. It is white oil pastel and graphite on black paper, and took around four hours to complete. The items were all drawn separately and then grouped together for the piece with a single light source chosen. It was an exercise in creating ellipses which I now know are circles drawn in perspective!
That’s another block of life drawing finished! This term we’ve looked at the paintings and sculptures of Antony Gormley and used wax and ink to paint the human form. This is the second piece from Week 2 – I’ve already posted my work from Week 3 here. I’m particularly pleased with the crouching figure. Many thanks to our model for his fortitude!
This second image is the result of a four 40 minute sittings over two weeks, starting with a measured outline, then addition of oil pastels for colour using David Bomberg’s paintings as an influence. In the second session, we then broke down the oil pastel with turpentine before adding the background and working into the figure more. The figure isn’t dark enough with the addition of the background, so some of the form is lost as a result. Many thanks to our model for allowing me to share the image (and for sitting so patiently!).
I’ve done another still life this week – this time using oil pastel resist technique. The objects were drawn in oil pastels first and then a dye colour wash applied for the fore and background. A bit of bleach, charcoal and chalk later and I got this:
Here’s my life drawing from this week at college. We are experimenting with expressive strokes in black Quink ink washes, and this week added in rust colours using oil pastels. The black Quink is ideal for this as it is full of every blue and brown colour you could wish with a few grey tones chucked in as well! I used a blue, orange and brown for the rest of the colouring, blending as I went, over the top of the tonal ink washes.
perfectly4med: Artist at work 